This Too Shall Pass

Category: Department of Awesome

The time of the BertHorse has come…

AWAKE, AND SMELL THE BERTHORSE!

BertHorse was born during a Friday morning email exchange between myself and two friends, co-workers of mine from The Project, waaay back in Disco Charlie.  (I’m being vague for a reason.)  We’d had some laughs about an online article featuring Google map photos of people wearing horse masks in unusual settings.  We began brainstorming professionally inappropriate events to wear such a mask to, ignoring the gawking crowds and shrugging in an oblivious manner. “They must be talking about some other fellow in a horse mask! How interesting!”  We imagined BertHorse making his cameos at trade shows, being the quiet hit of cake-fed office parties, giving a rousing PowerPoint presentation to a cheering crowd of fresh-faced go-getters at a quarterly conference, making off-color jokes at a Monday morning planning meeting, or blowing off steam at a Friday night punk show at the 930 Club.  I spent all of ten minutes that night creating a Twitter account for @BertHorse and the weekend generating content, a personality, and followers.  This is a more recent email conversation between five BertHorse-savvy fellows.

MV:  BertHorse as Voltron would be a smashing Saturday morning hit.  Of course, for prime time television, they’re already shopping the BertHorse Vigilante pilot to cable…

Me: (dramatic voiceover) “His left leg is LAW.  His right leg is ORDER.  And his front legs are both called JUSTICE.  He’s the one horse you can bet on when the chips are down… Coming to NBC this fall!

OX: STARRING Ernest Borgnine as DETECTIVE LEFTY “LUCKY” McGILLICUTTY, the hardened, alcoholic police veteran and the only one in the department who trusts BertHorse.  His catchphrase, uttered every episode: “Dammit to Hell, BertHorse!”

ALSO STARRING Paul Simon as PIETRO DE LOS CAMPÁSIOSO, the plucky cub reporter whose journalistic instincts put him in the thick of the caper!  He wears a false moustache and sideburns, mirrored aviator sunglasses and a fringe leather jacket when working undercover — which is every episode.

Delta Burke as TALLULAH BERTHORSE, BertHorse’s ex-wife whose hard heart can’t let go.  She’ll say this at least once in every episode: “BertHorse … be careful out there.”

Larry Hagman as DR. RECKETT VON FORTHLIN VII, the powerful crime syndicate super villain billionaire and BertHorse’s sworn adversary.  His schemes usually involve hijacking something — every episode.

-and-

BertHorse as HIMSELF

Me: (practically wetting myself with laughter at his desk) Roll title sequence! A flaming brand comes whooshing out to the forefront of the screen and burns away one confident, fiery word: BERTHORSE!

We see: BertHorse in a denim shirt unbuttoned to mid-chest and turquoise belt buckle! BertHorse punches up the bad guys!  He falls onto a hay bale!  There’s an explosion!  BertHorse makes a phone call from a phone booth!  He jumps onto a speedboat!  BertHorse drives down the highway in his red Mustang convertible.  He lowers his aviator sunglasses as bikini-clad women climb out of pools.  He cocks a sawed-off shotgun and kicks in a door!  BertHorse, disguised as a dockworker in a knit cap and plaid shirt, knocks a guy off a ledge!  A bad guy falls onto a pile of cardboard boxes and the boys in blue swarm in to arrest him! Hooray!

Each of the main characters freeze on the screen place as their names scroll up. The theme music is fast, catchy.  Lots of guitar riffs.  Somebody get Dire Straits on the phone!

OX:  Also, we need a car chase where the bad guy’s car — preferably a late ’70s Plymouth Gran Fury — goes careening off a dock into the water.  When the bad guy surfaces, BertHorse is standing there, hands on hips.  A Coast Guard response boat pulls up, blue lights flashing, and the crew begins hoisting the bad guys out of the water:

MCGILLICUTTY (observing the scene with a look of satisfied determination on his long face):  ”What in the hell, BertHorse!?”

BERTHORSE: “I called in a favor to some old shipmates, detective… Take ‘em away, boys!”

Me: Oh, yeah!  And the guys on the boat will mention their days “in the shit”; turns out BertHorse and his buddies were in some “special unit”. That way you can do a flashback episode where the daughter of one of his war buddies comes to BertHorse for help when her father, a little league coach who worked with at-risk youth, gets killed by gang members from the Golden Triad who are pushing dope in his neighborhood.  ”Oh, BertHorse!  I don’t know who else to trust!” She sobs once, and buries her face in his large horsey chest. I’m telling you, this thing would go GOLD.  A live-action 80s retro shoot ‘em up, and the protagonist just *happens* to have a horse’s head??  Why not?  It’d be like Matt Houston, Riptide and Magnum P.I. all in one.

HK: [Mac and OX sit in Francis Ford Coppola's office, brief case and laptop in hand]

Me: “He’s like Magnum P.I., but with a horse head!”

OX: “It’s like Charles Bronson meets Secretariat.  The kids love Secretariat!”

Coppola’s finger taps lightly on the ejector seat button… the moment is tense.

FFC: “Alright kids, let’s do it, but if one of you mentions Brando being involved, you’re all taking a short ride to the glue factory.”

-END-

Operation: Sweet Tea – Dispatches from Dagobah

The Inner Voice is never quiet.  It creates characters, it writes dialog.  When it can’t think of anything better to do, it writes letters.  It fills a legal pad here, a Post-it note there, or the glossy back of a drink special menu swiped from behind the bar of some REDACTED roadside attraction, the glossy surface of which is valued for its ability to work well with Sharpies.

EARLY SEPTEMBER 2010, LOCATION UNKNOWN

Nyx,

How goes?  Things here are ramping down.  Word on the street is that I’ll take over for REDACTED and then transfer to REDACTED or hopefully REDACTED.  I’d like to spend a week in REDACTED before I REDACTED, however.  (Ha!  I bet you thought I was gonna say REDACTED.)  Things to do on my off-time: visit Cafe REDACTED, get photos of buskers, drink absinthe, and browse the dusty knot of voodoo stores orbiting REDACTED Park.  I need something suitably ugly and unspeakably disturbing for my work desk.  A shrunken head, a fertility doll perhaps, something along those lines.

I can’t imagine what the REDACTED was like during the apex of the thing.  They should have called it OPERATION: MONKEY FUCKS A/N REDACTED COCONUT. I’ll just say that and change the channel.

But heavens, people do a lot of “turning around” down here!  The following are examples of their quaint speech patterns:

“Well, this fella turns aroun’ and sez…”
 “Now, mah daddy turns around and sez…”
 “Well now you turn around and just drive down to the Piggly-Wiggly…”

Oh, and this one! “…‘Well mebbe if’n yoo gotcher head outta yer asshole yoo woodn’t smell shee-it.’”

Time: slows to a crawl. Think ‘Matrix’.

I swear to fuck, that last line was delivered with so much weight and solemnity, and infused with Southern wherewithal: It’s as Bubba had personally re-invented fire and was awaiting my unbridled praise, or at least a retort.

In the mind’s eye, I could see him leaning back, crossing his mighty arms over his barrel chest and slowly nodding his head, further treasuring the weight of his corn-fed decree… Seconds passed.

You know what I’m like: My brain — furiously struggling to diagram, dissect, connect, detect, analyze and reduce the hundredfold layers of subtle communication in this simple moment to a Lego-simple observation (or better still, a haiku!) designed to knock his fucking socks off and demonstrate my mental prowess — takes just a cunt-hair too long to export viable verbal content, and the moment passes.  This strategic error is misinterpreted as dumbstruck idiocy and Bubba walked away, the victor by default, mumbling and slowly shaking his head. “That feller ain’t got no sense no how.  Must be a Yankee.”

Side note: I’ve passed along my thoughts on the iPad to you.  It looks like a wicked good travel tool, but the governing principle of my life is LESS NOT MORE.  I can’t justify owning an iMac, an iPhone AND a laptop, etc. (And planning to reward myself with the iPhone 4 upon my return!)  And yes, should I decide to ditch my iMac/television set, I’ll certainly let you know.  We’ll talk money, or trade.  I’ll need to wipe it dumb and sort out shipping, unless you get the urge to visit your brother in REDACTED.

Ultimately, I’d like to own only what I could carry around in an old Army half ton: Move all of my books into the clouds.., reduce my bags down to two or three.., move to a warmer climate and ditch my winter gear.., keep a loaded .45 under the seat and make my coffee over a different fire each morning.  You get the idea.  I feel we amass far too many things in our lifetime, and that we expend our limited and valuable energy trying to move, store, protect, purchase, dispose of, maintain and figure out how to upgrade to MORE THINGS.

Right.  I’m off the soap box, I’m sure someone else needs the firewood.  Bravo tango whiskey, it looks like I’ve got a few more weeks ahead of me.  You know how our Uncle works: “Hey! How far would you be if we hadn’t called you back?” And yes, per our texts from REDACTED: Look into Neal Stephenson’s “Snow Crash” (the first book I ever stole!), and seek ye also the clever, clever writings of Grant Morrison.  And Warren Ellis.  The foul-mouthed comic book genius, not the wild-bearded manticore who plays git-fiddle for Nick Cave.  A different Warren Ellis. Although Grinderman will blow your shitting mind just as well. (Click it. Trust me.)

Many thanks for the BBT infusions, BTW! A little nerd in the Savage Land goes a long way.

Go, see, do.

Yours in Christ,

TWM

//

11SEP2010

Dear Cass,

Fuck, yes.

Hello from a Chili’s somewhere in REDACTED after a two-day sick fit full of fevered dreams and fearful images; I’m drinking cold beer and sweet tea like they’re going out of style, but I’ve always got time for coffee.  The sharp laughter of sassy black girls rolls out of the kitchen in a tumbled wave, shrill gossip and delighted decadence bursting through the double doors dressed in the metallic jangle of empty pans and the steamy clink of hot flatware.  I’m reading, writing. I’ve ordered as healthy an option as can be expected.

September 11th.  Nine years ago to the day, when certain buckets of excrement were striking the blades of certain exhaust systems, and certain planes were hate-tackling certain buildings in the East Coast concrete convention I temporarily call home, my life was at a perfect stand still. I remember launching pine cones from a leaf blower in the parking lot of a tiny rescue station on an Indian reservation somewhere in the REDACTED REDACTED thinking that my life as I knew it was over; that I was free to fail, and that I would probably go nowhere else in life because I simply wasn’t in a position to assume differently. I hated my life, hated my decisions, and despised my surroundings.  I had way too many regrets and not enough good stories to tell.  I was no longer relevant.  I was removed from the equation.  My, how things cha– Oh, hey.  My food is here, we’ll talk later.

19SEP2010

Dear Cass,

Hello again from REDACTED.  I’m writing this from the weathered grey deck of a beach house.  The surf roars and the gulls scream and the wind is warm and sweet.

Ten minutes ago: The door was open, so I walked in holding the key in one hand.

“Hello?  Don’t shoot, they said I could live here…”  I walked from room to room in search of what I felt would be angry (or at the very least confused) homeowners and listened carefully for the click of a rifle bolt, but the place was empty.  Nobody here but us aliens.

Five minutes ago: The front of my rental car was encrusted with dead protein, so I hosed it off while I considered my options.  I decided that my options included relaxing, so I hauled my gear onto the porch, kicked off my shoes and put my tired feet on the rail.  Took a beer from the fridge, left a dollar. Goddamn, it’s good to smell the ocean again.  (It’s like having your face buried between the thighs of Mother Nature. It’s a briny, primal smell. Makes me feel like a centaur, or some such…)

Two hours ago: My drive from REDACTED was uneventful, unless you count knocking off the passenger side mirror and putting a tiny gouge in the door of the rental.  Oops. It was purely accidental.  I’d parked the car at the side of the road to photograph a mural in REDACTED and when I was backing up to turn around, I was only watching the oncoming traffic side – not the side where that no-good, goddamn egg-sucking sumbitch Murphy up and decided to install a speed limit sign. Glad I had insurance.

Yesterday: I woke up at 0630.  Showered, shaved, brushed my teeth.  Filled my pockets with small black rectangles: my wallet, my iPhone, and the pretty-much useless REDACTED cellphone.  See also: Keys, gum, a scrap of paper to write on, and a pen.  Out the door by 0700.  I was told the helicopter would be taking off at 0800, so I felt I had plenty of time to get where I was going.

Except I didn’t.

Twenty minutes later, my phone rings.  It’s the REDACTED producer I’m supposed to meet at the airfield.  He wants to know where I am.

“On my way.  Why, what time are we taking off?”

“Uh, probably in the next few minutes?”

“Uh, I’ll call you back?” I stomped hard on the gas.

The drive from to the REDACTED airport was only twenty minutes, and the map showed a straight line.  Unfortunately, my GPS put me in someone’s driveway and then took me through the only underground tunnel in the whole fucking state of REDACTED.  More wrong turns took me more wrong places before I whipped around the corner onto Main Street where the airport lives, all four tires squealing like fucked pigs.   Things were getting tight, but I was in the home stretch.  Almost.  There were no cars on the road at this hour, which explains why I was traveling at speeds of 75 and 80 and running red lights like it was election year in a brothel.

The producer called back.  I was screeching around a corner at the time, so yeah, maybe I shouted into the phone a little.

“HELLO?”

“Uh.., where are you?  We’re ready to fly.”

“Sorry, on my way, I just came out of the tunnel.”

“There’s a tunnel in REDACTED?”

“Yeah. I’ll tell you all about it when I get there.”

I finally found the airfield and slid into a parking spot, tires skidding to a ragged halt on the dusty gravel.  Popped the trunk, grabbed my camera bag and started for the gate when a older woman in a shabby security guard uniform and a slow Southern accent appeared out of thin air.  She spoke so soft and slurred that I almost ran past her.

“Now, sugah, I’m ahfraid you cain’t park yo car heah, because you’s taking spots away frum t’others who work heah.  You just pahk it two blocks over thatch way, ah’m sho yo’ little friends’ll wait…” (What did reality look like from inside this woman’s head??)  I tried Reason, I tried Manners, I tried Jedi, and I tried to explain the tight schedule and complicated mechanics of the fantastic flying machine that was, even now, spinning up for take-off.  But she would have none of it.

Fuck.  Sometimes you gotta let the little old lady win.  (And sometimes you gotta jump back in the rental cars and stuff it three spots to the left when the little old lady isn’t looking.)

I ran for the terminal, slapping the open thigh pockets of my pants.   Something felt wrong.  Nothing says ‘sloppy’ like Velcro that refuses to close and — shit did I just lose a REDACTED cellphone?  No time for that now.  As long as I have my iPhone, my wallet, the car keys, my camera gear and my GPS, the whole Western world could bake itself into an apple fucking pie.

Seven minutes later: I’m stuffed into a black and yellow Sikorsky 76-C that resembled a giant carpenter bee sitting on the tarmac.  There would be no window seat for this trip.  “The needs of the many,” as Spock said.  No, I was informed that this was a media escort, first and foremost.  Whatever I snapped or captured on video was strictly for documentation.  The co-pilot seated me in between the REDACTED camera operator and a REDACTED photographer.  On-screen talent rode in back on the right opposite the sound guy, and the producer squeezed in front left, with the REDACTED liaison opposite him.  The passengers were separated from the pilot and co-pilot by a thin curtain but thanks to the headsets we all wore, we could carry on a conversation.

A moment aside: I’m really not comfortable with video and I’ve had less than zero experience in using one.  Framing is different, the controls are awkward, there’s the constant jarring, you can’t turn it over for vertical shots like you can with a still camera, and you always have to worry about the sound.  Yet they insisted I bring one, so last night I opted to drive all the way to REDACTED to pick one up from REDACTED.  The understanding was that I’d meet some of the REDACTED staff for dinner, and I based my decision on this.  I arrived at the city limits with no problems, but I got turned around in all the construction and the traffic surrounding the REDACTED.  I ended up turning off the GPS and hanging half out the window of the rental, driving it like I stole it.  By then, it was getting late and my calls inquiring about dinner plans had gone unreturned.  Found the address, got the camera bag, tossed it into the trunk and, pretty much disgusted by this point, hauled ass back to my hotel in REDACTED before I turned inside out from hunger.

Back on the helicopter: It was a long flight out to the platform and I nodded off more than once, swaddled up safe like a crash test Jesus in my kapok life jacket that felt like something out of WWII; I was further snugged by the radio headset pinching my skull, the five-point safety harness collapsing my lungs, the D700 snug around my neck and the Sony HD video camera on my lap.

Once we arrived at the platform, I listened as the pilots recited the necessary spells and incantations to get the bird on the ground, or in this case, a tiny green hexagon balanced on the edge of the platform which stood like a steel tarantula in the middle of the REDACTED REDACTED.  The pilot powered down the engines, and we shrugged out of our many restraints.

At this point, I was only vaguely aware of my directions.  Had we come from this way, or that?  The water stretched out in all directions.  It was a surreal experience to say the least, and I half expected a bald man in a wheelchair with a white cat on his lap to meet me on the deck.  “We’ve been expecting you, Mr. Bond.”

We filed inside and I dropped my bag, making a beeline for the coffee to clear the fog of sleep.  Safety brief: No rings, no jewelry, no weird piercings.  Hardhats, gloves and hearing protection were issued; tiny bullets of yellow foam that fill my ear canals like the larva of some strange insect, growing slowly, devouring all sound.  Suddenly, I could hear myself think and breathe, and my voice was clear in my head. I was well into my Darth Vader impression when I looked up, noticing the puzzled expressions of the rest of the group staring back at me. Way to be.

Up a flight of stairs, a few lefts and rights and suddenly we came to the drilling deck where a giant robot arm called an “iron roughneck” was unscrewing hundred-foot sections of pipe fresh from the seafloor, as another arm high overhead stacked the pipe snug into a vertical rack.  It was an awesome sight.  It was also screaming loud, and everything was covered in the mud of a ten thousand hunting dogs.

Time for work.  Out come the cameras.  Right off the bat, I’m frustrated by the safety gloves; a size too small, depriving my hands of complex motor function. Plus, every time I lined up a shot, the sound guy would step in front of my lens, or drop the boom into my frame. (I would mention this to him a few times, but receive only blank looks in return.)

Next stop, the control booth where two men are seated in front of what looks like the most expensive flight simulator I’ve ever seen.  They sip coffee from white paper cups and make small adjustments to the iron roughneck via joysticks in their hands.  A row of computer screens above their heads tells them everything they need to know about return rates, fluid viscosity, and bottom pressure.  The room was crowded. Got a few good shots, though.

More tours, more wonders, and more “holy shit” moments from me.  Helicopter rides!  Robots!  The REDACTED!  Later, I ate freshly grilled steak  from a barbecue deck on the back of the platform and drank wicked good sweet tea.  I gathered more footage, and took a few more shots.  Then we got back in the helicopter and returned to REDACTED. Conversations clicked in and out in my headphones, but I was silent during the trip, thinking about this, that and the other thing.

I drove back to my room, stopping only for more coffee and quarters for the laundry machine.  I had just five hours to write my cutlines, process, edit and upload my video before I’d need to wash my clothes, pack my bags and make prepartatins for the morning drive to REDACTED.

Right away, technical difficulties were experienced.  My camera wouldn’t show up on my laptop.  Tried different things, tried downloading drivers. Nothing worked. Grabbed the camera body and my 8GB flash drive and headed for the hotel business center to coax their tired-ass PC into moving my files. Thirty agonizing minutes later, I had the images transferred.  “The faster technology gets, the more impatient we are for it.  (Note to self: Stop shooting in RAW until you get your photo editor sorted out, and never leave home without a card reader!)

I spent an hour making sense of my notes and handouts from the platform until I had something decent, before turning my attention to the video.  And then, horror of horrors: I discover there was no audio on my footage.

A thousand foul litanies.  I shouted and punched the air in frustration, but I knew there were no options and fewer excuses.  I’d just have to transport the video with me to REDACTED, dodge the embarrassing phone calls asking for product, and figure a way to salvage this horrid fucking mess.

20SEP2010

Dear Cass,

Experienced a moment akin to “Apocalypse Now” today; a long ride upriver in a barebones metal workboat toward a place called REDACTED.

I’d neglected to acclimate my camera to the humidity, and as I opened the door of the air conditioned trailer and headed for the pier I watched the lens fog over like San Francisco, my glasses included.  Nothing says sexy like being blind as a fucking bat.  Once aboard, I used an old rag from under the seat to wipe my camera down.

Then I spent the next few hours on the receiving end of a shouted, albeit fascinating education on pirates, illiteracy in southern REDACTED and the mating habits of bald eagles from the animated old skeleton at the wheel, shouting to be heard over the roar of the twin outboard engines.  He had the strangest, most expressive hands I’ve ever seen, the sort of thing you can’t ignore once you’re aware of it.

His earlobes flapped in the wind.  I’m not making that up.

It was a long and droning experience, even at safest speed.  Occasionally we’d catch air on the wake of another fast-moving vessel and come down hard enough to rattle the teeth in my head.  It sounded as though something very large and very angry was trying to tunnel in through the bow of the boat.

The trip was part of an area familiarization tour, the idea being that I’d photograph REDACTED as he handed out awards to two men who’d worked hard, done their part, and were ready to go home.  The ceremony was rushed, mumbled and everyone squinted in the sun.

Frustrations were mounting; first I’d failed to bring what I felt were the right lenses for the job, and I only brought one camera body.  Second, the boom microphone on the video unit failed to work, and then the media encoder on my copy of Premiere had failed to load, meaning I couldn’t export product, and now, decent subject matter was getting harder and harder to come by!  The REDACTED in REDACTED were screaming for imagery, but seemed to change their minds about what they wanted day by day.  I’m not one to use sports terminology to express myself, but this trip was filled with strikes and foul balls. I desperately needed a base hit or, dare I hope, a home run.

22SEP2010

Dear Cass,

Drinks tonight at Artie’s, a rundown road house about four miles down the road, listening to Pantera. That’s the secret purpose of loud bars.  “Shut up and drink up.”

23SEP2010

Dear Cass,

I've always wanted to pull over and take a picture.

Hello from an alternate universe, where Hiroshima never happened and Glenn Danzig found his true calling as a summer camp counselor.  My nails are in rough shape.  Chewed up, dry.  Everything down here is covered in dust and pollen.  Had to rinse off the car again this morning just to see out the windows.  Sent you a picture of the sunrise, hope it made you smile.

This morning: took a drive to locate the airfield in anticipation of an event scheduled for tomorrow.  I amused myself by doing funny voices as I steered the car along the rugged asphalt and long-neglected potholes as I made my share of wrong turns.  Still, I’d rather fuck up today on no timetable, than screw the pooch tomorrow when it really matters.  I read the names of the streets aloud in a high-pitched voice and tried to use each of them in a sentence.  I began a monologue about a poor little backwoods girl with an abnormally strong Southern accent who lived alone in a cardboard shack with her determined, albeit slightly psychopathic father:

“Mah daddy’ll gut you quicker’n sheeit… Ah seen ‘em skin a rev-uh-new-er man and burry th’ body out near Hog Lake, quick as you puhlease.  Made me a pair uh shoes from his hide, too.  That was the first pair o’ shoes I ever owned, and I liked ‘em real well.  My daddy looked at me when he wuz guttin’ that man and said ‘Ah got to fend for me an’ mine’. Yessir, he said that.”

Then I found different ways to pronounce “hog jowls” for the next twenty minutes.  Made me laugh, anyway.

Half the streets on REDACTED Isle are named for trees, and the other half are named for berries or other random words.  At the end of REDACTED is a large dusty compound presently occupied by a number of trailers.  Prior to the month of REDACTED, it was an empty lot.  Now it’s populated by ATVs and massive pickup trucks, and a large white tent in the center, where the food comes from.  I’m pretty sure the swamp wants the land back though, because the plywood threshold of the tent sinks a good inch into the gurgling ground when you step on it.

My office is in a small utility trailer along the left side of the compound, just past the porta-potties.  Step out the door and everything goes white hot in an instant, the heat punching you square in the face.  I can be at the pier in 15 seconds, my car in 30 seconds, taking a piss in 10 seconds, or back at the beach house in about three minutes.

Most of the people here work on the REDACTED response teams.  Their job consists of accompanying the boat crews out to document REDACTED, and ensuring that REDACTED in the field are equipped with water, safety equipment, and other supplies.  REDACTED REDACTED REDACTED REDACTED REDACTED.

24SEP2010

Dear Cass,

We picked up some REDACTED from REDACTED today; met their helicopter at the airfield, then took them on a boat ride out to REDACTED, an island a few miles distant from here, where a lot of people are working very hard to clean up the REDACTED.  White tents dot the horizon, and Day-Glo orange is a fashion accessory.  Forklifts cart pallets of supplies from place to place and everyone travels around in all-terrain beach buggies. There is nothing ecological about a REDACTED. You’ve never seen so many water bottles in your entire life; plastic bags of disposable gloves and disposable tyvek suits. The whole thing is like some weird deleted scene from Dune.

I carried two cameras this time; a D700 with a monster 80-200mm lens, and a D200 with a 28mm wide.  Vast improvement to my mood! (Note to self: arm yourself with two bodies from here on out, plus the SB-900 flash.  Uninstall ALL your CS2/3 software, and replace it with CS5.  And learn the shit out of Premiere.  Do it now!) I rode along in a separate ATV, calling out instructions to my driver, bracing myself against the rollbars, my dusty boots wedged hard against the dash.  It felt like a fashion shoot on the Kalahari Desert: “Closer, okay now get me to the left side– hey, what’s their driver’s name?  Ask him to point over there, yeah, by those gulls. Great, thanks!  Now swing in behind them, slow, good, hold that!  Awesome!”  I probably seemed like an asshole, but I got the shots I needed.

(Don’t try to go all fucking Aslan on me/ I’ve been outside the War Drobe a time or three…)

Later, now, night: The moon is lightly clouded, and the small part of the sky still visible peeks down at me, her eyes full of little stars.  I’m upstairs at Arties, pretty much the only bar in town.

Downstairs is for the roughnecks, the last of the hippies and the surviving tribe of classic rock fans.  Pimps and animals take the stairs in the back and party on the open deck where autotuned dance and gangsta jumps and throbs, and four barely-legal cherubs dressed in their sluttiest denim skirts try their damnedest to play the part of jaded, worldly sirens while serving modestly priced drinks to the thirsty citizens of an REDACTED-impacted, shrimp-fishing community. Everyone has a role to play.

Artie’s is where REDACTED parties when it’s not spending all day, every day on the water, in the marshes or slaving to clean up REDACTED beneath the glaring REDACTED sun, REDACTED REDACTED of the biggest REDACTED REDACTED REDACTED in U.S. history.  Which is an odd statement to make, because I can’t think of a bigger REDACTED anywhere else in the world.

Now: I lean against the hexagonal wooden bar and sip my devil gin while observing the bright lights of the shrimp boats anchored out at sea, and the mothership glow of a REDACTED about a mile down the beach to my left.

Artie’s, and REDACTED on the whole I suspect, has a decidedly poor male-to-female ratio.  Great for the girls, hard luck for the guys.  I’ve got a strong drink, a good vantage point, a freshly unfolded drinks menu, and a new Sharpie.  I take a sip, uncap my weapon, and wait for the words to arrive.

Looking around the bar: “These are the people who make things happen.  They live fast and bright and blind to their own terrible beauty.  They turn the wrenches that file the forms that bus the tables that serve the burgers that tend the lines that fish the waters that Jack built, and they keep the Great Machine running full tilt boogie, despite the inevitable fact that said Machine is headed straight for a real Fall of the Roman Empire kinda showdown when all this lovely REDACTED REDACTED is extracted from the ground.  Nothing lasts forever except nothing and forever, but there’s no talk of that tonight.  Here and now, these folks plain ass don’t care; so long as the music is loud, the drinks are moderately priced, and hopefully, maybe they can find someone to love them back…”

(Three Bombay gin and tonics with squeezed lime later… necessary cohesion fades, switching to inner dialog…)

At some point: the music fades quietly away and the old familiar curtain lowers and your drink loses appeal, and once again you find yourself staring at your surroundings in mild confusion, not entirely certain of how you arrived on a scarred wooden stool at the edge of the Gulf of REDACTED.

You observe the measurements of timeless impossibility etched in the faces of strangers as illuminated by cheap cigarette lighters; you gaze at each of them in turn, and wonder who they were as children.  You’re searching, as always, for meaning, seeking the Ancient, the Hidden, the spark that will at last make sense of it all.  It’s damn sure not gonna be found in a bar, but it seems to be the only time you look for it anymore.  Drink is no decent way to take your brain off the hook, but for the moment it’s the only option you have.

You watch and you record and you commit to present tense the various acts of the macro-theater playing out before you in this tiny REDACTED bar, trying in vain to make sense of the patterns, until you remember once again that random is just shorthand for a pattern too big for our monkey brains to comprehend.  It is what it is, and what will be will be again.  Sometimes it’s the same time all over the world:  All the Friday night smiles and scowls, the closing time rejections, the tiny victories and desperate lonely movies have happened before: here, there, and there.  This moment is happening at every bar at the same time; wherever there is darkness, wherever Friday night draws a breath, there is celebration and hope and drinks and music and wisdom and magic.  Yet, without fresh external stimulation, you feel the human race is destined for stagnation, eternity spent beneath the muddied boot of the Overlords who drive the Great Machine.  We’re like dolphins in captivity, each sequestered in a separate tank, bouncing our forehead-emitted radar off the circular walls of our prison and slowly but surely pinging ourselves to insanity.  There’s got to be something more out there, buried in space, asleep in the sheets of forever.  If we can see it, why can’t we touch it?

I wanna walk way out to the Hut at the Edge, where the Old Man tends the Flame, and I’ll show my soul and he’ll cut my writing hand with the edge of a sharp tooth and smear in the Ashes; so empowered, I promise not to die until I can write something so almighty powerful that it makes wood melt and the stones burst into flame, and every hunting dog from here to Glasgow will sing your favorite song…

You slid gracefully from your stool around 1230, popped in your headphones, and did a high-speed drunk march three-plus miles back to the beach house, pausing only to dart across a partially-lit lawn, scale the grassy dunes at the edge of private property and carve the following the polite request in giant letters in wet sand with the heel of your Chucks:

ALIENS PLEASE LAND HERE.

25SEP2020

Dear Cass,

Got the day off.  Literally nothing happened.  Starting drinking Southern Comfort around noon, and spent much of the day typing up my notes.  Then I went for a walk and thought about the epic feel of the right words in the right order. Must have listened to this song about 25 times on this trip:

Harshly awakened by the sound of six rounds of light-caliber rifle fire, followed minutes later by the booming of nine rounds from a heavier rifle (but you can’t close off the wilderness).  He heard the snick of a rifle bolt and found himself peering down the muzzle of a weapon held by a drunken liquor store owner.

“There’s a conflict,” he said.  “There’s a conflict between land and people.  The people have to go.  They’ve come all the way out here to make mining claims.., to do automobile body work to gamble.., take pictures, to not have to do laundry, to own a mini-bike.., have their own CB radios and air conditioning.., good plumbing, for sure, and to sell Time/Life books and to work in a deli.  To have a little chili every morning, and maybe… maybe own their own gas stations again.  And take drugs, have some crazy sex, but above all, above all, to have a fair shake.  To get a piece of the rock, and a slice of the pie and spit out of the window of your car and not have the wind blow it back in your face…”

–Wall of Voodoo “Call of The West”

TWM

26SEP2010

Dear Cass,

An hour ago: I did it.  I finally launched my book.  The initial thrill was a rush but after a few minutes, it was all over.  I had a glass of wine and listened to a few specific songs to celebrate the closing of ten years worth of work, and then I turned and walked away from it.  Now I can worry about the next one.  I doubt it will sell, but now I can say “I’ve written a book.”

It rained last night and it looks as though it might do so again.  I took a walk on the beach today; the water was warm and the sand looked almost artificial, raked smooth by big machines that sat silent about a mile down the beach. Hungry, more later.

01OCT2010

Dear Cass,

Now in REDACTED. (Hint: It’s French-sounding.)  Notes from this period are hard to come by.  I remember it as bits and pieces of shiny crazy, bright seconds of screaming laughter, uncomfortable wooden stools, the drunken stumble of cobblestone streets, the clatter of beads skidding across ruined asphalt, candle-lit basements, one million tasteless t-shirts, endless excellent jukeboxes, and the omnipotent stench stench of the REDACTED.

Mommy drinks because you cry.

If REDACTED were a real person, it’d be best embodied by an unemployed uncle who; drives an LTD, is missing the majority of his teeth, sleeps on a thrift store couch above an auto repair shop, and has predictably vomited into his own lap nearly every night since May 7, 1718.

These moments dwell in contrast to the cold black blocks of solid concrete and the geometric shapes of authority, acts of soul-sucking drudgery committed while toiling away on the 14th floor of an anonymous office building somewhere in downtown REDACTED, and the real reason I was in town…

My creativity lives in a small village somewhere on the fall side of the world, and it is only when I sleep that I am able to have any communication with it. A hatch on the top of my head yawns open in the night with the quiet whine of hydraulics, and a long, golden tendril of monofilament line yawns forth, uncoiling itself from a tiny spool; winding this way and that, it crosses the ocean, drifts over fields, mystifies cows, and is largely invisible to all but buskers, fools and unemployed uncles living in the streets below.

Said filament knocks on the door of my creativity and forms an outstretched palm, as though begging for alms. Sometimes my creativity has something to offer, and sometimes the tendril comes home empty-handed. My first impulse, upon waking, is to check my mailbox and see what treasures await. Nothing makes my day like a good breakfast, a solid cup of coffee, the right song playing in my headphones, and a tiny parcel in the inbox of my dreams.

Unfortunately, society has seen fit to schedule me to show up at a job during my peak creativity period. This must be kept a closely guarded secret from REDACTED, lest a ham-handed conversation threatens to begin with, “Well, why not use that creativity to [fulfill dull task X]?” as I’m being hipped to death by Cool Hand Douche and his twin fingered six-guns.

I get it, REDACTED.  You win at parties. I can’t swing a cat within your city walls without hitting a place to drink, eat, or lose track of the time.  You’ve got absinthe and hand grenades and Scotch and all my favorite foods, and some I think you made up.  (Fried macaroni? Who the fuck are you fooling? Didn’t stop me from eating it, though.)  Your architecture, enthralling; your history, visibly evident. You win, REDACTED! Isn’t that what you wanted to hear?  You’re a town full of spooky hippies and beautiful gypsies and starving dancers and I could probably spend the rest of my life trying to separate your magical madness from your common trash for the sole purpose of preservation and documentation, but I’d probably self-destruct inside of five years, if I didn’t get diabetes or go broke first. I know there’s more to you, REDACTED, but I can’t help running to the bad parts first…

Wish you were here.

10OCT2010

Dear Cass,

I miss you, and I’ll see you soon.

TWM

If It Bleeds, It Leads

 

11SEP09 – Friday morning. I woke up, felt like crap.  Texted my co-worker: “Whatever I have is in full swing. See you Monday.”  Went back to sleep.  A short time later, my phone chirped again with an incoming text from my roommate here at the Department of Awesome, one which opened a whole can of worms.

“Suspicious vessel in the Potomac. WTF, over?”  I stumbled into the living room and fired up my computer, swiping a cheese stick from the fridge while I waited for our sucktastic intertubes connection to kick in.  (*If all quality internet service providers lived together in peace and harmony in a special heat-proof facility on the sun, Comcast would maintain their headquarters on Pluto. Fail, bitches.)

“SUSPICIOUS VESSEL IN DC, Coast Guard fires on boat on Potomac River,” read CNN’s “breaking news” headline at 10:05 a.m.  Jumping Jesus!  Here we go again.  And just the other day, I was thinking that it’d be nice if the current administration were able to say something like, “The danger has passed.  We’re here to protect you, we’re doing our best, and we will remain vigilant.  But we’re de-escalating the threat level.  Please, go about the business of living your lives.”  After all, we’ve been in fight-or-flight for eight years.  Think about how many people are probably watching this right now, and getting the shakes.

But by 10:29, the “crisis” had begun to evaporate like car exhaust on a cold morning.  CNN quoted two “unidentified sources” as saying the incident had been a “possible” Coast Guard training exercise.  Of course it was!  No shots were ever fired, merely described on a radio scanner.  The whole thing had been a large scale game of Telegraph, albeit poorly timed.  What spurred CNN into “action mode” were realistic-sounding radio transmissions from the Coast Guard as it conducted a routine drill.  (“We have expended 10 rounds,” according to those huddled around a scanner in the CNN ready room.)  Did they happen to catch the broadcast from the beginning?  There was no mention of this, but if they did they’d probably have heard the words, “This is a drill, this is a drill,” repeated several times.  It’s part of a standard operating procedure somewhere.  I’d bet lunch on it.

But we’ll get back to that in a second.

I don’t usually talk news or current events on this blog, because I like to keep my professional and private lives at arm’s length from one another.  But I’ve got a few questions of my own, and since the topic is nearly dead at this point, I guess it won’t hurt to ask ‘em.

Question 1: Where was the camera positioned?  The correspondent stated twice that the perspective was “FROM the Pentagon…” Well, the Pentagon is located west of that vantage point (see image), not parallel to the bridges, and some distance away through trees and a small marina, if I’m not mistaken.  I see two bridges; one at the top and the other directly at the bottom of my screen.  Not a big issue, just curious.  We’ll chalk it up as -5, error in fact.  After all, it’s not unheard of for the Pentagon to have a remote tower camera for security.

Question 2: The correspondent incorrectly identified a slow-flying HH-65, the Coast Guards bread and butter bird, as a ‘media crew,’ despite the words “Coast” followed by “Guard” painted across the side of it.  The helo makes a slow pass, right heading left.

OK.  Even though the video was in black and white, AND at a poor resolution, and even if the words weren’t that clear, the ’65 has a very distinctive shape and an enclosed tail rotor, vastly different from your standard bubble nosed eye-in-the-sky. And if this was media, wouldn’t they be feeding better footage or commentary to CNN in hopes of an affiliate mention?  Survey says, “Yes.”  I’ll chalk this up to battle blindness and subject unfamiliarity – an anchorperson too focused on filling the air, trying to make sense of a panicky situation and no intel, ever conscious of the cameras and microphones being trained on them, with viewers and ratings hanging on their every word.  Dead air is bad air.  Everyone knows that. “Keep talking!  Maybe I’ll say something smart!”

Question 3: Back to the scanner.  Did those listening to the drill hear the ENTIRE exercise, or did they tune in halfway through?  They probably missed the all-important “exercise” preface, unless they knew to tune in ahead of time.  (Again, “exercise” should have been repeated each time a transmission was made.)  But how could they listen to this broadcast or watch the video, and not get the impression that something wasn’t quite right?

We’ve all seen spy thrillers and war flicks at the movies or watched them on television, right?  Hollywood hires former military members as creative consultants to make sure that the stuff being churned out looks, smells and behaves like the real thing.  (This applies to all manner of programs, CSI, Law & Order, 24, and so on.)  As a result, we’re all subconsciously aware of how a military or tactical operation should look and sound.  See what I’m getting at?  We’re all mock experts.  We can talk the talk, even if we don’t walk the walk.  Which brings me to…

Question 4: If you watch the footage, it’s largely evident that this WAS a training exercise, although again, perhaps not to the trained eye.  One of the boats can be seen moving toward the stationary vessel, holding station (i.e., staying in place), then speeding away and conducting a few high speed, almost “playful” turns… which looks kinda like a coxswain break-in to me.  By that, I mean someone in a continuous training process of learning how to drive the boat, getting a feel for the controls of this multi-million dollar hot-rod.  If it were a real engagement, a true threat, wouldn’t those high-speed orange peels have maintained a fixed position around the hostile or suspect vessel, guns at the ready, awaiting instruction?  What tactical purpose would darting back and forth and doing donuts really serve?  Answer: none.  Hey, maybe I’m wrong.  But again, it’s another clue to observers that this was a DRILL.  Which brings me to…

Question 5: Why should the Coast Guard have to notify the media each and every time they’re gonna to do a training exercise?  (Even as I type this, 1145 EST, I can promise you that somewhere, out there, a Coast Guard station or asset is conducting a drill.  It’s almost inconceivable that they aren’t performing some sort of emergency response practice: BECCE’s (Basic Engineering Casualty Control Exercise), man overboard drills, fire-fighting drills, etc.)

Now, if the CG did notify the media of each and every training exercise they planned, wouldn’t the beat reporter, newsroom editor, or camera crew get sick of fielding those calls and eventually ask the Coast Guard to call them back when something big happened?  I think so.  Think about how sick and tired we’d all get of hearing about them?  And, like ripples in a pond, think about how that could exponentially impact the news and spillover into public commentary?  “Well, I think they shouldn’t drill so much, they’re wasting tax dollars/fuel/frightening endangered ducks/polluting the air…”

And, tactically speaking, would the Coast Guard really WANT their tactics described in detail to the American viewer?  Survey says: “Probably not.”  Some of those tactics are law enforcement in nature, I’m sure.  There’s ‘Right to Know’, and then there’s ‘Need to Know.’  Always has been, always will be.  Accusations of liberal media have absolutely fuck all to do with this.  Look, I’m as Green and crunchy as they come, and even I support the right to keep quiet.  You don’t win a poker game by showing everyone your hand:

“May I have your attention please?  As you can see, I’ve got two aces, a five of hearts and a queen of clubs.  Now, I’m gonna discard these cards here (points, shows cards), and draw two more from the pile- that is, if, through a process of long-term discussion seven part discussion and a lengthy and complicated voting process, you all agree that I should do this, because, you know, you’re the taxpayer and you have a right to full disclosure…”  We’d gum the works quicker than shit, and get very little done.

Question 6: (more of an opinion, really)  Every day, the Coast Guard patrols the seas and rivers, listening for mariners in peril.  They do a lot more than that, actually, but I’ll stick to life-saving.  Twenty-four seven, three hundred and sixty-five days out of the year, I can promise you that someone in blue is listening to a VHF radio, ears peeled for faint cries of “Mayday, mayday!”  And because of that, every day a wife gets her husband back, children get their father back, and good friends have the opportunity to come sauntering into their favorite watering hole for strong drinks and relieved merriment. “Hey, look everyone, Bob’s back!  We were so worried!”  Sure, Bob will die someday. But not today.  Not yet.

I don’t know who to direct this to, so I’m just gonna say…

Dear CNN: Total strangers are alive to see the sunrise because of this organization’s long-standing dedication to the preservation human life, and the safety of life at sea.  Period, end of sentence.  This organization’s motto was, at one time: “You have to go out, but you don’t have to come back.”  They put themselves in harm’s way, day in, day out, for STRANGERS, just like you.  They venture into the nastiest of storms and voluntarily brave a list of dangerous conditions as long as my arm – and you have the nerve to call them on the carpet over a training exercise?  ”Felony stupidity,” was the expression that set my teeth grinding.

Fuck you, CNN.  That’s like buying the best guard dog money can buy, and telling it to shut up when it keeps you awake at night.

I know this is wrong of me to even think, but I can’t help wondering if maybe you, or perhaps a member of your news organization, own a boat.  Let’s say you do.  And let’s further postulate that one of these days, maybe your entire family will be aboard for a day of fun in the sun.  Buddy, sis, the wifey, and grandma.  Good times!  Now, maybe – probably – the weather will turn nasty.  Suppose the engine conks out, or worse, catches fire.  Uh, oh!  Or maybe your GPS goes toes up, your anchor malfunctions and you find yourself drifting blind in the fog, edging ever closer to the shipping lanes frequented by much, much larger ships.  What if, in all the stress, your grandmother suffers a heart attack?  Think about that for a moment.  Who ya gonna call?  (Hint: it’s not Ghostbusters.)

Or hey, maybe you’ll be stranded in a post-hurricane city overcome by fear, flooding and madness, without food, water or FEMA, and as the waters rise, trapping you in your sweltering attic with nowhere left to swim, you find yourself thinking that this is the moment of your death…

Wait!  What’s that sound?  What’s that bright orange helicopter doing?  Do they see you? Yes!  How can you tell?  Because they’re chopping a hole in your roof to get you out!  ”Thank fuck, it’s the Coast Guard.  We’re going home..!”

“Felony stupidity” will sound pretty foolish then.  Am I right, jackass?  Anything for ratings, anything for the scoop.  Is that how it works?

As a friend of mine said recently, “The media machine has an insatiable appetite.  If it runs short on food, it will eat anything.  Try not to look like a steak when it happens.”

Sincerely,

TWM

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