12FL/OZ 355ML

Home: It's where you keep your stuff.

Pause from a sip of Belhaven on this hot September night in Brooklyn while the ghost party rages next door…

For three days they’ve been at it; Latino pop, an unfortunate backside selection of lesser known Motown hits, shoddy R&B and cheap reggae covers of even worse songs and now — for some entirely unholy reason — they’ve jammed the dial on “dance music of the late 90s” and abandoned responsibility for the jukebox entirely.  A giant treble clef in white rope lights adorns the chain link fence at the back of a yard filled with tables, a tent and a hit squad of ubiquitous white plastic chairs, probably hot stamped into existence by some vapor damaged 12-year-old in a far away factory where clean water is a fairy tale and Zouzou always needs more medicine. But until tonight, there were no guests!

Suddenly this end of the block has become a swirling stew of double-parked cars and unusual food smells.  People are eating potato chips and laughing at jokes.  Here and there, a sibilant ”s” slips out from behind a hand, denoting a polite aside or perhaps some private concern.  Crackling murders of teenage crows hop and cock on the steps, arguing listlessly about nothing essential, puncturing the dead night with shrill howls of o-shaped disbelief and “No, you didn’t!”  Staccato bursts of “um-hm” and “I was like…” dominate the front stoop.  Whiffs of this harmless patter force their way through the dusty grid of my windscreen and stain the floorboards below; layer upon layer of audio memories forever trapped in the varnish like insects in the amber, to be later extracted by an avuncular but well-meaning scientist figure and turned first into a theme park, then into a movie and perhaps, Hollywood willing, a sequel.

My previous apartment, the Fortress of Solitude, was surgically clean and hermetically sealed against all enemies, foreign and domestic.  It was a great granite haven, a solid silent place to make a stand, a posh pillbox in which to bivouac myself away during my initial year in New York City.  It was the ultimate shelter, designed to keep zombies out and my paranoia in.  It could even sustain a direct hit should the pigs ever lose their grip on the wheel of the nation.

The air conditioning always worked, the counters were pristine and easy to clean.  My landlord held all my packages.  My grocery store was just around the corner.  My local bar was one block over and five blocks down.  My favorite coffee hole was two blocks over and four blocks down.  The L, two blocks over and five blocks down, would take me anywhere I wanted to go and there was always eye candy on the train.

I was the first person to live in that apartment since the building was remodeled and I found it reassuring; no matter what happened, no matter where I roamed, I could count on coming home to immaculate granite surfaces, freshly laundered towels and thick walls designed to keep out the peals of wicked laughter and unexplained shrieks of the city until I eventually learned what was what and allowed them to drown in the background of the sea.  I don’t do so good with crowds.

Entering my incense-laden sanctuary at the end of any long day, I could drop my bags to the floor and breathe deeply of my governed space.  The clothes in my closet were always pressed, hanging on identical IKEA hangars and spaced exactly one finger apart.  The towels were folded boot camp style on a gleaming metal rack in a spotless bathroom complete with heated floors.  The kitchen sink was devoid of both dirty dishes and water spots.  The desk was exactly black.  The books were arranged first according to subject and then by alphabetical order.

I could hide here from the filth and noise.  I could do my laundry in peace.  I could do chin-ups while my dinner bubbled away in various pots and pans on a five-burner range.  I had room to pace.  The middle of the living floor was completely bare; I could swing a cat without hitting a wall and stretch my long-limbed frame in all cardinal directions.  My altar, a stack of military ordinance crates layered in incense ash and dried flowers, was adorned with candle stubs, sentimental rocks, statues of obscure deities, dog tags, spent rounds of ammunition and assorted skulls.  It held a place of honor at the center of the room beneath the main window.

Clearly, I had the freedom to express myself.  And I should’ve been churning out volumes of new material, but oddly there was nothing forthcoming.

I was too safe.

A ship isn’t designed to stay in the harbor and the Fortress wasn’t meant to last.  The rent was costing me an entire check each month.  I was hemorrhaging money and plugging the holes with sticky rice and red beans.  Poor is only sexy when you’re young.

I knew couldn’t stay there forever.

So I decided to move.  Moreover, I decided to get a roommate, someone with whom I could split the bills and the groceries and spend some time being human.  I genuinely love being alone but to tell the truth I was maybe getting kinda weird…

I weighed the pros against the cons and I tried hard to find a fault with my plan but it was just too good of an idea to fail.

First came the apartment hunt, then the logistical scramble followed by twelve hours of slave labor which took place on one of the hottest days of the year.  My new roommate and I first emptied her tiny fourth-floor Flatbush apartment before tackling the Fortress.  (Thankfully we were assisted part of the way by my boss and his always-smiling girlfriend.)  We finished the move, returned the piece of shit, graffiti-covered meat wagon at around eleven that night and ached like zombies for the next three days.

 

My new apartment is on one end of a shady street just three long, loping blocks from Brooklyn’s Prospect Park.  The interior of this 1901 railroad-style Huxtable hideaway has been painted over so many times it’s probably lost an inch of actual real estate from the doors and walls.  The outlets, when and where they exist, are all two prong.  There are no outlets in the bathroom.  The honey-colored floors warp and creak like a fat man’s belt when you walk on them.  I need a road flare to navigate my tiny all-black closet.  There’s a three-foot patched-and-painted depression on one wall of the back room, as though something large from another dimension stopped by for tea one Sunday and left a crater-shaped ripple in its wake.  I drop my laundry off at an establishment on the corner; it comes back folded.  I’d need to clone myself and stand on my own shoulders in order to change the light bulbs in the living room, the double doors of which stick and drag against the friction caused by decades of paint and varnish.  There are bars on all the windows (though I’m not sure whom they’re meant to protect.)  The books are on the shelf with no particular care to their order…

But I like it.  There is life here.  This apartment requires me to relax.  I cannot control it.

Reading Henry Miller’s Tropic of Cancer on this hot September night in Brooklyn while the ghost party rages next door…  New York is practically built for writers and artists too (and I suppose even that poor, miserable, disgusting wretched subspecies of worm human, the fashion photographer).  All you have to do is close your eyes and listen.

Capture.  Import.  Decipher.  Interpret.  Express.  Repeat.

What one might first dismiss as the mindless chatter of ignorant gossip or uneducated bleating is actually the complex interpretation of the new battlefield translated by the secret medium that cannot and will not go away.  At every second, we stand on the gentle arc of the present tense and we talk about what Is.  As much as I hate gossip, it’s a fucking necessity.

In order to write about people, you have to put yourself out there in the biomass.  Find the words, capture the No Thing.  Get involved.  Stick your dick in the mashed potatoes.

William S. Burroughs referred to something called the restless word, a silent power that ebbed and ached and yearned to be described.  “Close your eyes for ten seconds and try to think of nothing,” he said.  “The word will still be there.”

Scott Adams wrote, [SIC] “We are the slowly reforming nervous system of a suicidal god.”  When we speak we convey information in rough tree shapes that, properly diagrammed, resemble a map of the human nervous system.  This is an offshoot of this, which relates to this, which is part of this larger branch…  We build roads and rail systems that branch like the human nervous system.  We should know better than to build mega weapons and super gases and ultra guns, but we do it anyway.  We give in to fear.  We cannot leave well enough alone.  It’s as though we were programmed to do these things.  As if we were not only marching determinedly toward the destruction of our species, but through it.  Beyond it, even.

We want to believe we were designed for something.  We’d like to think we happened for a purpose.  We can spend our lives guessing at why we’re really here, but I don’t think those answers will come for a long, long time and when they do we may not even recognize them for what they are.  We come, we do, we go.

We are only stories telling stories,

An Explanation of Subway Stickers and Additional Information

Please refrain from A) the use of a phantom fetus-conjuring blunderbuss B) the levitation of more than three novelty-themed Rubik’s cubes during a single séance, and C) the piloting of a square-wheeled tank boasting ineffective armaments in public places.

We’ll have more news of this at eleven. And now, tonight’s top story:

There’s something living behind the walls of this Brooklyn-time summer moment that paws, sniffs and stamps restlessly at the scattered ground, sifting through the raped and littered soil with a decidedly pointed hoof for telltale signs of a missing future.  And as it just so happens, this creature and I are hunting the same mouse; a secret stashed safely below the surface of the immediate past and cleverly camouflaged by the present tense.

Imagine if the universe worked differently; suppose every minute in history is essentially a separate world which must be built, maintained and torn down once the world finishes with it. And further contemplate that somewhere, someone decided that this particular instance, one containing a living photograph of alien world, needed to archived and viewed again for whatever reason. Okay, but why? What was so important about that moment, that planet and that dimension? Was it worth saving because it wasn’t ours? Was the archivist hoping to somehow rescue this civilization and provide a how-to or an example of how different life could be if it were DIY’d in another part of the universe?  Was this about “art”? Perhaps it was the archivist’s job to catalog civilizations and somehow this fragment was inappropriately absorbed by the bandwidth of my dreams. I have no fucking clue.

What I do know is this: I’m attempting to reverse-engineer a fragment of a memory using the mnemonic equivalent of a gasoline-scented scratch-n-sniff sticker, an oft-folded illustration torn from a science-fiction magazine and a die-cast metal toy.  And someone off-camera is demanding that I use these items to return a forgotten city to its former glory. The simplified instruction manual provided to me was downloaded as a zip file and stored somewhere in my skull but the link is 404’d, and now I’ve got this… thing bumping around in my not-so-big upstairs with a case of amnesia, creating unwanted bulges in my reality.

Anything I attempt to do while in this state becomes ten times more difficult; everything gets sped up and pinched, as though one were fishing for a shell fragment in a bowl of yolk. Time (yolk) is distorted, flowing faster between the outer shell of this 404′d object (thumb) and the walls of my perceived reality (bowl); images of some mysterious and misplaced Martian market become momentarily visible, projected against the ghostly flicker of heat waves of this New York Minute, brought to you in part by Friday, June 10, 2011, the letter thirteen, and viewers like you.

The good news is that I can almost feel what it was like to live in this place, but I can’t put the experience into words. Not yet. The bad news is that it has to come out.

The key to unlocking this thing’s got something to do with the way that Kanji seems at once ancient and futuristic (likewise Arabic, likewise the art of Native American tribes of the Pacific Northwest), so I try to focus on that.  It also smacks roundly of the early issues of Heavy Metal magazine I devoured as a teen, the art of Jean Giraud (a.k.a. Moebius), selected writings of William Gibson and the feel of films like Fifth Element and Blade Runner, where the overt alien undertones are just part of the experience:

- a Bodega cat seeks relief from the summer heat on the lid of an ice-cream freezer.

- a matronly Ugnaught of a woman, with cast-iron breasts like matching Civil War cannons, stomps and sneers and stabs at her sequined-pink cellphone with the gold-painted nails of a velociraptor, talkin’ ‘bout how she gonna “fuck that dumb bitch up!”

- a hovering trade ship from some dusty distant world waits patiently above the East River for permission to land.

… and it’s all part of the Mise-en-scène.

Primarily, it’s got something to do with that fucking sticker.

I scratch at it furiously and press my nose against it, breathing deep. It works, albeit feebly. Something churns in my stomach and my field of vision becomes momentarily faded and narrow.  Encouraged, I scratch and huff at it some more. This goes on for about ten minutes. Beads of sweat begin to form along my arms and a rising sense of vertigo develops in my stomach. Now I’ve got the half-summoned memory of a lost alien world caught like a cat hair at the back of my throat and I’m desperate to cough it loose.

I cram my fingers down my throat and after a moment’s salivation I begin spewing forth watery chunks of buildings and backgrounds which slap at the pavement like horse piss on a flat rock before standing up slowly on their own, like a prizefighter ready to talk serious business at the end of the seventh round. Slumped against a wall with one hand on my knee, the sensation rises up again, coursing through me like a tidal wave as a half-completed grid of city streets soaked in stomach acid snakes forth like umbilical ropes from the enraged space between my lips, anchoring themselves to the soil like plant tendrils and immediately taking root, unfolding like ugly flowers. My jaws are pried open against miles of sewer lines and buried electrical cables and in a brief reprieve I take a few breaths in through my nose. Soon, my abdominal muscles are convulsing and contracting again as the five o’clock skyline of a world I’ve only imagined rockets the wrong way up my esophagus and my mouth gives birth to an alien sunset. It splatters first on the sidewalk before instinct drives it to its feet on doddering legs and it takes its place at the top of the page.

I gasp air for few minutes, wiping the puke from my lips and spitting out the taste of concrete and anodized metal, surveying the half-formed thing that I’ve made.

I’m obviously not done yet, but it’s a start.

TWM

STANDBY TO DEPART CAUSAL LOOP

23AUG2010, 1730 – Riding home on the Brooklyn-bound “L”, midway between Lorimer and Graham, I experienced a sudden and overwhelming sense of deja vu.

The car was slowing down, and I moved toward the door.  Looking down to my left, I saw an olive-skinned girl in a black polo shirt, unbuttoned. Black hair pulled back in an end-of-the-day ponytail. Blue jeans, battered Chucks. Eating pretzels from a brown bag. Me, I’m listening to Lamb’s “Lusty”:

When the echoing sound from 1:58 began to chime, everything hit me at once. I had been here before!

When I move to a new place, it is understood that a significant amount of time has to pass before I start to get the feeling that everything prior to that moment was just a dream, and that I’d always been there. Getting it this early isn’t a good sign; it implies burnout. I’ve been in NYC since June 3.

As soon as the car stopped and the doors opened, I did something I’d never done before; I stepped out of the car and walked to the left, knowing full well and good that the exit was to the right. Then I halted, right-faced and without thinking, I walked over and touched the wall. Turned back around and walked toward the exit but stopped short again, sat down on a bench, pulled out my notebook and began to scribble furiously: STAND BY TO BREAK CAUSAL LOOP. Stupid Uni-Ball let me down, threw it at the tracks, dug out a felt-tip, kept going, waiting for something…

Looked up. Checked my watch. Nothing happened. The ragged tunnels were as unapologetic as ever: no back-masked dwarves, no parquet floors, no red curtains. No offers of coffee:

Instead, I was alone on the platform. Just me and my dementia.

I stuffed my notebook back into my bag and capped my pen. The next mechaWorm had arrived, and I joined a fresh wave of tired bipeds as they shuffled toward the turnstile. We climbed the steps to the street. We waited for the light. We crossed Metropolitan, but I headed home alone.

I keep trying.

TWM

Take Me To Your Leader – An Alien in New York

03JUN2010 – On the train to NYC, slowed to a near-predatory crawl beneath a railroad overpass somewhere south of Pennsylvania. If this train had a long furry tail and a thing for yarn, we could expect to come bursting from this tunnel within seconds in hot pursuit of fuck only knows.

Speaking of improbability, if you’d told me six months ago that I’d be moving to New York City and furthermore, that I’d be excited about it, I’d have recommended you for a straight jacket and a cameo in a Quiet Riot video. And yet, here I am; packed, racked and rolling north on a true blue summer morning. Our ETA is approximately 1040, and I plan to be in my new apartment by noon.

The movers came yesterday; it felt rather strange being on the other side of the paperwork. I saw myself as a fresh out of high-school kid in a bland grey t-shirt with a truck on the front, the sweat wrung from my body by the gallons and the doomed feeling of being completely spent before discovering the pool table in the basement, which won’t fit on the truck. I think being a mover was what drove me to a life of minimalism. I mean, who needs all this shit?! Just ‘cos they sell it doesn’t mean you gotta buy it.

Time passes, and I sit watching the scenery rush past. My thoughts are an indistinguishable roar. I feel like a blind man at a cocktail party, unable to draw one voice from the multitude. Sometimes words fail me. I could live for a thousand years and still never reach the mastery of language that life and experience deserve. “Sometimes,” it has been written, “a hundred thousand volumes of knowledge aren’t enough, and sometimes one word is too much.” Yeah, I get that. Holding the cosmic unfathomable in one hand, and the Oxford English dictionary in the other doesn’t quite weigh out. It’s a like hunting for fireflies with a bear trap. I stare out the window some more, watching the graffiti evolve as we near the cradle of Krylon.

LT: Nick Cave & The Bad Seeds “Abattoir Blues”. Sudden hunger and a craving for caffeine propel me from my seat and I hum a little tune as I amble toward the cafeteria car. “I went to bed last night and my moral code got jammed/ I woke up this morning with a frappuccino in my hand.” The lurching and bumping of the train reminds me of being at sea; taking three weeks to cross the Atlantic Ocean on a three-masted barque. You’ve not properly lived until you’ve spent hours vomiting over the side of a confiscated war prize in heaving seas; strapped into a safety harness and clutching the rail for dear life, shivering uncontrollably in the freezing wind with the salty taste of ocean water on your lips. Eventually I got my sea legs (and some rather strong medication), but like the man said: “The future’s uncertain, and the end is always near.” He also said, “Never vomit into the wind.” That’s good advice, too.

Moving forward along the train now, counting up the number of doors as they spring open like the jaws of a hungry thing until I arrive at the dining car. One Alexander Hamilton later, I’m the proud owner of a breakfast sandwich, a can of Red Bull and, ha ha, a frappuccino; this in addition to the large cup of black coffee purchased at Union Station about an hour ago. A writer’s mind must remain limber. It’s not my fault that Amtrak doesn’t offer quality speed at a fair market price. I work to maintain balance with a flimsy cardboard tray in my hands, contemplating the rushing ground and churning steel going clickety-clack just beneath my feet as I move between cars. Headed aft and aware of the math, I make way back to my seat with my precious breakfast treasure, counting back down the doors and checking off the human landmarks as I pass them by: Sleeping Girl in Bright Blue… check. Grown Man Watching “Garfield” On His Laptop… check.

Fresh off the train, I was following the herd across the platform, thinking that very soon this city would become second nature and muscle memory, when my leg experienced a mild earthquake. I fished my vibrating phone from the thigh pocket of my cargo shorts and read the message; a rather random text from my old friend Katie Orlando welcoming me – sort of – to NYC: You’ve got to go to Au Bon Pain! she insists.

Me: Why? (I text back) Are you there?
Katie: No. They have the best food. Seriously.
Me: (stunned.) You so crazy. I just rolled into town, and you want me to try out a chain restaurant??
Katie: See if that contortionist guy is down at South Street Seaport. He performs daily in a neon tiger print outfit, ha, ha.

Forty-five minutes later, I’ve picked up my keys and turned them in the lock for the first time. I put my bags down in the middle of the room and wander through the apartment, turning on the lights, turning on the water, opening cabinets. Time to work: I set up shop on the granite countertop. Open my laptop (free signal from somewhere!), take out a pad of paper and find a pen. I call the electric company, the gas company, the internet company, and set up new accounts with each. I play “Simon Says” with FedEx and my bank; they blame each other during my attempt to locate a certified check for $1,000 I’d sent to my broker several days earlier.

Simon Says I sent the check from the bank’s website. Simon Says FedEx neglected to give the bank a tracking number. Simon Says someone at FedEx couldn’t find the very visible Madison Avenue address it was intended to be delivered to. It’s being sent back to me and then back to my broker. Oops! You didn’t say, “Simon Says!”

Next, I empty my backpack and head out the door. Objective: Find a local coffee house (check), a deli (check), a proper grocery store (check). A shopkeeper with one leg, glittering eyes and a grip like cast iron gives me a free pint of Manhattan espresso coffee cola because I had no cash — only plastic — and his ATM is down. I’m about to put the bottle back in the reefer when he smiles, bags the bottle, and hands it over. “I’m Timmy,” he says with a thick Brooklyn accent while pumping my hand vigorously. “You look like a decent guy. Just come back some other time.” True story! At this point, I’d been in New York exactly three hours. I think I’m gonna dig this place.

SATURDAY – Boneshakers for breakfast; coffee, and a vegan sandwich named after a bicycle. (Stopped off at the deli and gave Timmy the three bucks I owed him, promising to return for my butcher needs.) The day is getting sticky and the streets are full of trucks. Some of them are bringing new things, and some are hauling the spent remains of other things away. A cool breeze flutters down from the ceiling fan and sits on my shoulder like a small bird as I sip my coffee. My apartment is bone empty at present; a wooden wasteland populated only by what I carried in on my back. I’ve been sleeping on the hardwood floor, eating on the floor, pacing and washing the floor, dusting the counter tops, polishing the chrome…

Went into the office yesterday to see what all the fuss was about. It’s strange to see my name outside the door. (Just means they’ll know who to throw against the wall first when the revolution comes to town!) My desk looks out over a quiet park of oak trees, a colorful playground and beyond that, the towering fingers of the financial district. I can hear the mournful bellow of the Staten Island ferry as it departs the pier, and there’s a place less than a block away that serves ethnic food and strong coffee. Slowly, the pieces come together…

Seated now at a weathered wooden table, looking at the bicycling paraphernalia that lines the walls, and an outdated exhibit flier affixed to the window with loops of yellowed tape. Good sandwich! I chew slowly, gazing out the window at the ink-saturated street urchins passing by. Nowhere to run, nowhere to hide. I’m not on vacation, and this isn’t another travel gig. I live here now. For the moment, this is everything. On the plus side, Boneshakers has tons of electrical outlets and strong, cheap coffee. I’m told it’s important to establish ones haunts early on.

Observations and eavesdropping: I read somewhere recently that 90 percent of conversation is gossip, the passing of memes and the transmission of vital information which affects ones social status and therefore their ability to survive and provide.

I wander the streets of Planet Will-burg for several hours, taking lefts and rights as they seem relevant and scouring the walls, doorways and other vertical surface areas for stencils and graffiti. It’s powerful fucking hot. I’m glad I chose a neighborhood with shade trees! By accident, I happen to meet one of Boneshakers’ owners. She was sitting alone on the wide steps of a church a few blocks away from the café with an empty drink cup at her feet, taking a break from a challenging morning. Turns out the refrigerator had come unplugged in the night, and all the milk had spoiled. Apparently this Yelp-approved café was originally designed as a bike repair shop that served coffee, but customers wanted a place to sit down and surf the internet. Same as they do anywhere else, I guess.  We shake hands, and she goes back to work.

Will-burg appears to be putting on a city-wide production of some sort, which calls for the cast of thousands to be adorned in old school tattoo flash, facial piercings, thrift store clothes and ironic t-shirts as they crisscross Brooklyn astride their duct-taped ten-speed bicycles. The only other explanation would mean such items were a prerequisite for citizenship, and that’s too just silly to be true.

Later, I sit on a random bench with a bag full of coconut juice and fresh oranges, jotting observations in my notebook and getting a feel for my neighborhood. Makes me wish I could draw. “Well, why don’t you start?” No thanks. That’s why photography was invented. Took a ton of pictures today, although all of them have been with my cell phone as I’m leery of waving my G-10 around. Maybe later. I look forward to cracking open my camera like an oyster on the rocks and prizing the treats from within.

Birds sing. Trees sway. I sit, I look, and I write. I think about the places I’ve been and the sights I’ve seen. I think about the here and now. When I get tired of sitting, looking, writing, and thinking, I find my way to Barcade. Fifteen dollars and several stouts later, I feel nicely disjointed from the present tense. It’s a nice place. Well lit, cheap drinks, and two long walls of my childhood friends, although none of the ones I was really good at.

Apparently the world record holder on Donkey Kong hangs out here on the regular. Dr. Hank Chien, 35, is a Queens-based plastic surgeon who, on February 27, after a 2 ½ hour marathon session, racked up a score of 1,061, 700 on the classic arcade game, besting the previous record by 10,000 points. I plan to make it a point to meet the legend.

At this moment, I can’t see very far. I’m butted hard against the plate glass of the Now, with no idea of what the future will bring. This is it. This is as far ahead as I’d planned ahead for. I feel a piece of machinery vibrating somewhere below my feet, and I take another sip of my stout. I should go soon, since I don’t have the funds to make this an all-nighter, but I don’t want to go back to my empty apartment. (No internet after the first few hours. The Wi-fi well’s run dry, boys…) The situation is hopeless, but not serious. At least I have the job needed to generate the dollars to fill my pockets to allow me to sit on this torn-to-shit barstool in a refurbished warehouse space in Brooklyn getting ripped to the tits on powerful stout. And yet, the voice of financial responsibility nags at me from the back of my mind. I really wish it would shut the fuck up. I’ve paid all the bills, I’ve drafted to-do lists, I got a haircut, I set up the utilities, and I’m TCOB as the King used to say. I’m taking care of me and mine. “Would it spoil some vast eternal plan/ if I were a drunken man?”

I wrestle with new ways to describe the silvery ping of quarters striking the polished steel diaphragm of the change machine. They make a scraping rasp as they’re scooped out and forced between the narrow red lips of the nearest game just a few feet away by a barrel-bodied man of an indeterminate age dressed in – wait for it – an ironic t-shirt. (Don’t get me wrong, I really like this bar.)

I can’t wait to get back to some serious writing! I’m way overdue for a maniacal burst of pure genius, a go-to-hell story cranked out in the darkest hours of the night; my eyes redder than the Communist threat and my brain fueled by hot water and xanthine alkaloids (see also: C8H10N402.)

MONDAY – Woke up. Turned on laptop to write while I waited for the movers to show. Found that I had just enough signal strength to post this! It’s not quite done, but it’s better than nothing.  Gonna rush up the block and grab an Americano.  Can’t wait for my stuff.  At last, something to sit down on!

Down to my last $500,

TWM

I Didn’t Know What to Call It, So I Did.

09NOV08 – Pieces of madness from last night’s dream.  Our Hero, locked inside a dusty voodoo mansion crowded with dying candles, unpurposed flowers and empty bottles.  Chalk drawings and macabre masks, scattered alters and borrowed bones.  “Be careful what gets into your heads, Little Ones, for it may never come out again.”

And so I hid my eyes beneath a threadbare blanket while various horrors took place around me.  I didn’t see any of it and don’t remember it, understanding somehow that if I peeked or acknowledged what was happening on the other side of that blanket, I’d be instantly set upon by angry men with long knives and a language barrier incapable of interpreting my cries for mercy.

“You can gaze upon the lords, but looking at the shogun will make you blind, and the emperor cannot be seen at all.” This is important, somehow.

Sitting in a coffee house listening to Also Spake Zarathustra and attempting to write up to that triumphant sound.  (It’s probably gonna take more than a shitty netbook and a $4.95 coffee, but I think we can all agree that it’s good to dream.)

Just a few strands of crystalline fiber sticking out the physical access port.  I pinch one gossamer thread between the thumb and index finger of my left hand and pull it outward, inserting it carefully into my eye, feeling nothing as the mechanism within squirms toward and copulates with my optic nerve…

First there is a mountain,
then there is no mountain,
then there is.

My hands fall limp into my lap, and my thoughts begin walking around on their own:

Quote in memory: “I don’t give a stack of tits what anyone says about rehashed ideas.  If you can scour the graveyard of rock n’ roll and build something new from the rusted hulks you find there you’re onto something good, because it’s harder to create than it is to destroy.”

In-flight moment: “Yeah, like a moist toilette is gonna do it.  As if breathing in that faint antiseptic steam is gonna chase away the bleary eyes, the stiff shoulders, the compacted spine, and the terrible suspicion that someone slathered the dregs of a deep fat fryer across my sleeping face, dabbing the brush in my mouth for good measure.  Still, the Sky Ninja’s got enough shit to worry about; slamming, shuffling, stumbling, sorting and smiling.  Not only does a Sky Ninja have to look their best at all times, but they have to serve you hot coffee in high turbulence, make change for a $50, and still be able to herd your panicking, cattle-stampeding ass off this burning dick in the event that shit suddenly goes sideways.  So thank you, Sky Ninja.  This pre-moistened towelette will do just fine.”

July 21, 2006:  The assassin in freefall, his parachute failed.  Got to make his bones regardless; draws both pistols and does his best to draw a bead while plummeting ever closer to the ground.  Target exits the building, maybe twenty paces to the waiting limo. “If I can’t take him out with a bullet, maybe I can break him with my fall.” Target looks up at the last second.  Look on the target’s face was priceless.  Never saw it comming.

Found in journal: “And in those final moments, when our entire lives flash before our eyes, we will concentrate upon this instant in futility, as though we could lift the needle from the record and pause the song, as though we could skip this unpleasant paragraph and leave the story incomplete.  But when you die, make sure all you gotta do is die, and that Jeff Goldblum is doing tai chi.”

The minutes keep on walking; a colorful and irreplaceable parade of precious cruelties and unspeakable magic broken into short intervals.  And sometimes, people throw candy…

In the park, near a statue:

Robber barons use
their ill-gotten wealth to
create public zen.

Speak all languages: the planet’s personal mediator, sitting at an intersection of life and death, watching armies march in all directions.  Turn your cell phone off, and ignore every text the End Man sends you, as the sky grows dark with circling birds.

The next day was Sunday.  I sat in a cafe watching the snowflakes tumble down fast and fat as the waitress brings me coffee.  A man with a Mohawk cooked my breakfast.

“The rest is easy, because Henry Miller made it look easy.”

I live for the moments when the music and the mood unite, when the planets groan into position like a clock of immeasurable proportion and suddenly I’m walking down the street with my head on fire, trailing tongues of trickling blue.  Suddenly, time grinds to a squeaking halt.  And not just around me, or on this block, or in this city state, but in all places, and at all times: fish frozen in the rivers, birds halted in mid-flight, sunlight with the parking brake on, and the light of distant stars idling like cars at an intersection.

I understood long ago that I will never die.  That’s right.  I… will… never… die… I will grow old, and I will eventually shit my last, but the ‘me’ that makes up ‘me’ will be recycled.  I’ll be back again.  I am not, as the man said, ” a beautiful and unique snowflake.”  My thoughts have been thought before, and will occur to others again.  I get it.  And I’m okay with that.

That’s the lowest form of truth, the baseline.  We are born, we live, and we die.  Everything takes place in this dimension, and on this planet.  Nobody really knows anything, and everything will surprise you if you let it.  Nothing lasts forever, except nothing and forever, and in the end, there are no odds to beat.

Either it will or it won’t,

C is for Certain (and that’s good enough for me)

30DEC06 – Sometimes a hundred thousand volumes of deep cosmic wisdom aren’t enough. And sometimes, one word is too much. Regardless, I write, seated tonight at the far end of the bar at the Alaskan, right next to what used to be the coke room. Once upon a decade, a man could sit in seclusion at a rickety table in that comfy little closet of a room, and talk things over with the White Bitch for as long as he could afford her time.

I pause, listening to some rather deep and meaningful music and examine the weary fixtures of the place. Even the shadows on the far wall are mismatched, confused as to where their loyalties lie. Should they suck up to the overhead lanterns, choked full of old cigarette smoke and the laughter of false women? Or the pale pearl light as it sneaks in under the door on this grey evening at the end of another year?

In addition to my coffee, I’ve got an idea, a thought, sitting very deer-like in the crosshairs of my loaded mind, wondering if I’ve seen it yet. It’s a strange feeling running through me, like something wonderful is about to happen. Well, aside from the things that are always happening, the things that never stop happening, and the things that will never happen. (Which, if you think of it, is just another way of saying that those things happen anyway.)

So I sit here with my wine (red), my coffee (black), the music (loud), and my mind (open), waiting for something inside me to break loose and float free, some morsel of momentum to move through my body until it reaches my fingers and propels them to speak, plucking and plinking at them like the tines in a player piano.

I’ve also got a half-finished notebook in front of me, a reliable pen, a tender stack of ones and the bartender’s favoring gaze. So for one holy moment, this is all I need. I turn my face to the lanterns again, gazing through the smoke and the rafters, up and out, imploring the very stars to halt, asking the gears of the Blessed Machine to linger for just a moments more. But you can be sure and certain these moments will eventually fade like pictures on the wall, as they have for all the people who’ve lived and breathed and laughed before me. Even holy moments end. They die and become ghosts, mingling freely with the rivers of time. Eventually, all memories become something to be questioned.

The future is coming, and change rides with it. (Remember, it’s nothing personal.)

TWM

081210

“The Internet is full of music. Some of it we like, some of it we don’t. Then, there’s Phil Collins.” – Unknown

“The appropriately programmed computer with the right inputs and outputs would thereby have a mind in exactly the same sense human beings have minds.” – John Searle

So, I think my iPod can read my mind, or at least understand my moods.

Preface: Whether the device is benevolent or malevolent remains to be seen. Since it’s essentially a manmade device it is thereby removed from the sticky regulations governing human ethics, just as a gun is a gun; at once a weapon of destruction and an exciting television remote, depending on the hand that wields it. On these shaky grounds, I suppose it can be said it possesses both good and evil. Whether I snapped it in half and used the jagged ends to carve crude epithets on the foreheads of cornered strangers, or used it for its intended purpose, it’s still neutral because it can’t act on its own. Just to be on the safe side, I keep it on ‘shuffle’, the rough equivalent of ‘free will’.

My iPod plays what I refer to as ‘baseline’ when I’m doing something that doesn’t require much involvement, such as riding the Metro or walking down the street. I think of these as background songs because they are ‘just songs’. They contain very little magic and only trace amounts of passion, yet their melodies have gentle impact on my perspective, changing the way I feel about my surroundings in subtle ways, like a director moving the viewer along from scene to scene and emphasizing certain things in the frame. These songs provide the soundtrack to a movie that never seems to end.

That begs another question: how does my iPod know where I am, what’s going on around me, or even that I’m on the Metro? Damned if I know, but it does! Maybe it’s got my behavior patterns down so cold that it knows I wake up at 0645, get ready for work, and board the morning train at 0730. (I’m kinda OCD that way, so I suppose that’s one possible solution.)

Another question; if the songs in my library could be considered a means of expression and communication for my 4GB AI, am I limiting its vocabulary with the music I choose to listen to? Does it ‘like’ the same music I do, only because it’s never been exposed to anything else? Obviously an iPod has a ‘priori’ and ‘a posteriori’ knowledge, long bits of code that give it a rudimentary identity, and tell it how to interact with my computer. Do iPods come to resemble their owners in the way that pets do (in more than physical characteristics, like tacky leather carrying cases, and poor color choices?) I know there are probably far more important questions I could be asking here, but I don’t have the time. I’m on my lunch break.

In the morning, my enlightened little friend knows to play songs that drive me and motivate me, songs that compel me, propelling me along as I weave in and out of dense morning crowds of commuters as though I were skydiving through a slow motion explosion… I envision myself in freefall, a HALO jump, alighting perhaps on a giant chunk of what used to be an office building spinning gently through the morning light. I charge along the length of this tumbling platform and fling myself from the opposing edge with all the grace of an Olympic diver or a practitioner of Parkour, stepping gingerly across torn fragments of detonation-damaged I-beams as though I were crossing a quiet country brook on the moss-covered tops of common stones, the slap of fragmented dust and debris slapping against the fabric of my protective suit like raindrops on a sleepy tin roof as I continue my descent. (Sometimes I wonder what other people think about on the way to the office!)

There are songs so indescribably powerful that, when I hear them, I get the distinct impression that I’m trailing fire; long blue tongues of visible flame that seep from my skin as though I were perpetually striding through the gateway of another world, another dimension. These songs make me feel as though I were experiencing on-the-spot evolution, as though I were shedding my weakness, becoming More; swapping emotion-vulnerable flesh and blood for the impervious safety of machine-driven precision. As though the vaguely recollected fragments of a long-lost destiny were being decoded from songs and related only to me. (“This isn’t your world, you’re just passing through, you belong up there, out there…”)

There are songs so potent, so utterly overwhelming, so perfectly consuming, so wonderful that I wish scientists would hurry up and invent a way for me to climb inside them, so I could bolt the doors and stay awhile. There are songs that make me feel that time is slowing down, coming to a halt. Sometimes I catch sight of the second hand on my watch running backwards a few ticks before Greater Laws take precedence, and the Blessed Machinery of the Universe resumes authority with a quiet hum.

There are songs so heartbreakingly mournful, so absolutely barren, that I have to thrust my hand into my pocket with a gunfighter’s speed and fast-forward to the next track lest I fall to my knees, incapacitated on a busy sidewalk with great streams of tears running down my face; forced to relive some now-forgotten heartbreak, some ancient feeling of abandonment, some prior loss or rejection. Sometimes they’re not even my emotions, which makes them even harder to deal with. During those interludes, it’s as if everything were coming down around my ears at once, and a very real, very tangible, weight were bearing down hard on my shoulders, on my bones, on my heart, and on my lungs. Enough!’ I cry aloud. ‘It is too much for any one soul to deal with!’

There are songs in my collection now lost to me, songs I’ve shared with former lovers, songs that summon up their smiles of perfect warmth and angelic light, such adoration as I may never know again; chords and notes that contain their smells, their tastes, and their touch upon my skin like lockets worn about the neck. Those songs hurt me in ways I cannot fully describe here. Suffice to say, I find it necessary to remove them from my library altogether, until such a time as their memories have sufficiently faded and they can be released back into the wild. (Presently, my entire collections of ‘Nick Cave & The Bad Seeds’, ‘Clutch’, and ‘The Melvins’ are on temporary suspension. You’d think I’d learn to be secretive about my music, hide it away from new flames and interests, learn to protect my heart, preserve my collection. But then, I’m not the one spinning the hits, am I?)

The experiment continues…

TWM